Collection Spotlight: Mucha Trust

Collection Spotlight: Mucha Trust

We are proud to represent The Mucha Trust, owner of the family collection of works by Alphonse Mucha (24 July 1860 – 14 July 1939).

Alfons Maria Mucha, known as Alphonse Mucha, was a Czech Art Nouveau painter and decorative artist. He was established as a leading poster artist between 1895 and 1900, when six posters by him appeared in Les Maîtres de l'Affiche, Jules Chéret’s monthly publication featuring the best posters of the time selected by him. From that time, Mucha’s distinctive style was called ‘le style Mucha’, becoming synonymous with the current Art Nouveau style.

In gaining wider public recognition as the ‘Master of the Art Nouveau poster’, Mucha’s success in a new genre – decorative panels (‘panneaux décoratifs’) – played a significant part. Decorative panels were posters without text, a prototype of today’s art posters, designed purely for artistic appreciation or decorating interior walls. It was the printer Champenois who invented this idea from the business point of view: to maximise business opportunity by recycling Mucha’s designs for many different editions. However, it was Mucha who transformed them into a new art form, affordable and available to the wider public, whereas, traditionally, works of art were available only to the privileged few.

The first of Mucha’s decorative panels were The Seasons (1896), a series of four panels representing the theme of the four seasons.  It was followed by other popular series including The Flowers (1898), The Arts (1898), The Times of the Day (1899), The Precious Stones (1900) and The Moon and the Stars (1902). These panels illustrate all the typical qualities of the Mucha poster – the beautiful women with suggestive gestures, the decorative use of flowers and flowing hair, the subtle yet striking colours – all combine to create a compelling harmony of vision whose intention is to inspire and elevate the viewer.

Alfons Mucha<br/>AKG2105666
“Zodiaque” (Zodiac), 1896<br/>AKG1006655
Poster for cigarette paper JOB, 1896<br/>AKG1006677
“Fruit”, 1897. (Counterpart to “Flowers”).<br/>AKG1006667
“Hiver” (Winter), 1896. Detail from “The Four Seasons”,<br/>(right).<br/>AKG1006662
“Salon des Cent”. Poster for the exhbition “Exposition du Salon des Cent, March-April 1896, Paris<br/>AKG1006702
“Tête byzantine: Blonde” (Byzantine Head: Blonde), 1897. Right image of a pair “Têtes byzantines: Brunette et Blonde”<br/>AKG1006664
“Cowslip”, 1899<br/>AKG1006725
“Ruby”, 1900. From a series of four panneaux decoratifs “Precious Stones”.<br/>AKG1006683
“Laurel”, 1901. Companion piece to “Ivy”<br/>AKG1006703
“Twilight”, 1899. Counterpart of “Dawn”<br/>AKG1006829